![]() The most crucial step to getting this transfer to work smoothly is making sure your session is set up correctly. Make sure when you export from the Export Audio Mixdown dialog box, you have the boxes labeled, "Insert Broadcast Wave Chunk" and "Don't Use Wave Extensible Format." Additionally, select “Do Nothing” in the “After Export” drop down menu if you don’t want the audio files to appear in your project.Īfter you’ve renamed all your files and confirmed they all play, here are the most common mistakes on the Pro Tools end of things: Set the remaining track's output in the inspector to "No Bus." There, you will have your mono audio click. Once you render your audio click from the drop-down menu on the signature track, select the track, go to Project > Convert Tracks > Multi-Channel to Mono, and then delete one of the tracks. In all seriousness, the audio click is very important for sync purposes and is the most accurate rendering of your tempo map. This is important since when you export your Wave files, the timecode will be embedded, so that you can put them in the right place when you import them into Pro Tools.Īhh, the audio click track! To many of us, a mystery. If it is, either set the project start time in the Project Setup dialog box, or go to Project > Set Timecode at Cursor. If it doesn't, you may have to check that the video is still in sync with your music. Once you've confirmed you have the right frame rate, make sure that the timecode in your project matches the timecode displayed on the video. If you're not sure what frame rate you're supposed to match you can either check the project handout or check the information window on the video in QuickTime (command+i). Before you export, check the Project Setup dialog box to make sure that you have the right frame rate for the video. Probably the most common mistake made by students during this interchange is some issue with either frame rate or timecode. Additionally, set your end locator far enough out so that all sound has completely faded out and that it won't sound awkwardly cut off. ![]() ![]() If the triangles are facing outwards, the export dialog will not recognize your selection or allow you to export. When you set your locators, the triangles should be facing inward and the selection on the ruler should appear gray. Your files will not export if you don't set your locators correctly. Let's start with the common mistakes in prepping the Cubase project for the interchange: Everyone makes mistakes! In this article, I will run down the most common mistakes exporting files from Cubase to Pro Tools that I've seen students make (and have made myself) while working at the Creative Technology Center. Or maybe this is your first scoring session and you're terrified of making a mistake. Maybe you've done this kind of interchange a million times before, and you always seem to get something wrong. There's so much that can go wrong when you have to get all your files from Cubase (or whichever DAW you use) into the Pro Tools session. It's that dreaded, exciting time - time for you to submit your Pro Tools session to the Screen Scoring Department so that you can conduct your scoring session! It's a daunting endeavor, getting that session ready to submit.
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